Jetter Gear Media |
Audio |
| Jetdrive™ OverDrive |
| NEW!!! Barry Richman: Jetdrive OD - 1958 Les Paul Std, Jetdrive, Nova Delay, Twin Reverb. alternative download |
| Gain Stage Gold 3-D™ OverDrive |
| NEW!!! Joe Steiner: Gain Stage Gold 3-D and GS3 - Strat (bridge position), GS3, Gold 3-D into JTM 45 set clean into 4x12. -First 2 sections use the Boost Channel of the GS3 to give an edge of break-up tone -Last solo was cut using the Gold 3-D alternative download |
| NEW!!! Joe Steiner: Gain Stage Gold 3-D - Strat (bridge position), Gold 3-D into 100watt Plexi set clean into 4x12. All the same relative settings were used in this clip and the one above, we just swapped amps. This clip demonsrates how the Gold reacts to different amps when compared to the above clip. alternative download |
| GS3™ Dual OverDrive |
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Joe Steiner: GS3 Dual Overdrive - All Channels - GS3 with Strat - Marshall Plexi set clean. This clip demonstrates all the channel options of the GS3. It starts out with no pedal on - then
Channel 1 is used as a clean boost - the lead is Ch1/Ch2 stacked - the outro chords are channel 2. A little delay was used during the recording.
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Joe Steiner: GS3 Dual Overdrive - Ch1 and Ch2 for chord work - Joe playing the GS3 with Strat - Marshall Plexi set clean. Both channels were active and this clip demonstrates how well the GS3 resolves complex chords.
alternative download |
| Gain Stage Green™ OverDrive |
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Joe Steiner: Gain Stage Green - Joe playing the Gain Stage Green with Strat - Marshall Plexi set clean. All tracks were done with the Green ON with the guitar's volume set lower to get the "clean" sounds.
alternative download |
| Gain Stage Purple™ OverDrive |
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Ede Wright: Gain Stage Purple - Ede playing the Gain Stage Purple with Don Grosh Single cut - Port City Dual 50. SM57 with No EQ, FX, etc. Visit Ede Wright at www.myspace.com/edewright
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Ede Wright: Gain Stage Purple - Ede playing the Gain Stage Purple with Don Grosh Single cut - Port City Dual 50. SM57 with No EQ, FX, etc. Visit Ede Wright at www.myspace.com/edewright
alternative download |
| Gain Stage Red™ OverDrive |
| Chris Blackwell 1 - Gain Stage Red with the gain and tone maxxed and position II. Stock G&L strat (HSS) into the clean channel of a 4X10 Peavey Classic 50.
alternative download |
| Chris Blackwell 2 (Neck Position) - Gain Stage Red with the gain and tone maxxed and position II. Stock G&L strat (HSS) into the clean channel of a 4X10 Peavey Classic 50.
alternative download |
| Gain Stage Blue™ OverDrive |
| NEW!!! Joe Steiner: GS Blue - Fender Strat, Bridge pickup into Gain Stage Blue Settings: Volume 12 o'clock, Gain 3 o'clock, Tone 9 o'clock, Hard, II --> Eventide TimeFactor --> JTM 45 set clean into 4x12...no compression, no EQ. alternative download |
| Joe Steiner: Political - Gibson Flying V, Bridge pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 3 o'clock, Tone 9 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 1 // SM57, no compression, no EQ, just a little verb.
alternative download |
| Joe Steiner: Jazzy OD - Parts-o-strat, Neck pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 2 o'clock, Tone 10 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 0 // SM57, no compression, no EQ, just a little verb.
alternative download |
| Joe Steiner: Beck Boots - Parts-o-strat, Neck pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 2 o'clock, Tone 10 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 0 // SM57, no compression, no EQ, just a little verb/delay.
alternative download |
| Joe Steiner: Rhythm - Parts-o-strat, Middle pickup into Gain Stage Blue Settings: Volume 12 o'clock, Gain 12 o'clock, Tone 9 o'clock, Hard, I into Tweed Bandmaster 3x12, Presense 2, Bass 6, Treble 6, V1 2, V2 2 // SM57, no compression, no EQ, just a little verb. This clip demonstrates the how well the GS Blue can handle chord work and remain dynamic and articulate. alternative download |
Video |
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| GS3™ Dual OverDrive | |
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GS3™ Dual OverDrive
Ede Wright - GS3 Introduction alternative download |
| Gain Stage Green™ OverDrive | |
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Gain Stage Green™ OverDrive
Ede Wright -Gain Stage Green alternative download |
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Gain Stage Green™ OverDrive
Gain Stage Green alternative download |
| Gain Stage Purple™ OverDrive | |
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Gain Stage Purple™ OverDrive
Gain Stage Purple featuring Barry Richman alternative download |
| Gain Stage Red™ OverDrive | |
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Gain Stage Red™ OverDrive - Chris Blackwell Part 1
GS Red Overview Part 1 (Large File) alternative download |
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Gain Stage Red™ OverDrive - Chris Blackwell Part 2
GS Red Overview Part 2 (Large File) alternative download |
| Gain Stage Blue™ OverDrive | |
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Gain Stage Blue™ OverDrive - Barry Richman
Full-on Overdrive Featuring renowned guitarist Barry Richman. In this clip Barry demonstrates how articulate and responsive the Gain Stage is. All the nuances of his tasty playing come through with the Gain Stage. We're honored to have our good friend Barry Richman helping us out. He's an amazing musician y'all need to check out. Please visit Barry at barryrichman.com. (Gear Used: Les Paul - Barry's Board - Gain Stage OD - Peavey Special 130) alternative download |
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Gain Stage Blue™ OverDrive - Ede Wright
Ede Wright alternative download |
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Gain Stage Blue™ OverDrive - Brad Jeter
Clean Amp - Violin Tone The first video sample. Featuring our very own Brad Jeter. This is a great example of the how good the Gain Stage sounds through a very clean amp. Using the Gain Stage Brad nails the elusive "violin" tone. (Gear Used: Strat - Gain Stage OD - Echoplex EP-3 - Digitech Digidelay - Fender Deluxe Reverb RI) alternative download |
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*The video clips were done using a $350 Panasonic camcorder using the camera's built-in microphone at a distance of 15 feet from the amp. The recorded audio was not manipulated in any way, shape or form. What you hear is what occurred in the room. Please Note: The Gain Stage was developed and refined in a stage/gigging environment - real amps being played as intended. The sounds you hear in our clips are very real and a direct result of the player's interaction with the pedal. |
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