Jetter Gear Media |
Audio |
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| GS3™ Dual OverDrive | ||||
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Joe Steiner: GS3 Dual Overdrive - Joe playing the GS3 with Strat - Marshall Plexi set clean. Both channels were active and this clip demonstrates how well the GS3 resolves complex chords.
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| Gain Stage Green™ OverDrive | ||||
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Joe Steiner: Gain Stage Green - Joe playing the Gain Stage Green with Strat - Marshall Plexi set clean. All tracks were done with the Green ON with the guitar's volume set lower to get the "clean" sounds.
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| Gain Stage Purple™ OverDrive | ||||
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Ede Wright: Gain Stage Purple - Ede playing the Gain Stage Purple with Don Grosh Single cut - Port City Dual 50. SM57 with No EQ, FX, etc. Visit Ede Wright at www.myspace.com/edewright
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Ede Wright: Gain Stage Purple - Ede playing the Gain Stage Purple with Don Grosh Single cut - Port City Dual 50. SM57 with No EQ, FX, etc. Visit Ede Wright at www.myspace.com/edewright
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| Gain Stage Red™ OverDrive | ||||
| Ron Marinelli 1 - Ron Marinelli playing Gain Stage Red over backing track with a little reverb
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| Low Gain - Ron Marinelli playing a LP Std, Gain Stage Red, Kingsley amp clean
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| Medium Gain - Ron Marinelli playing a LP Std, Gain Stage Red, Kingsley amp clean
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| High Gain - Ron Marinelli playing a LP Std, Gain Stage Red, Kingsley amp clean
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| Dave Taylor - Dave Taylor playing Les Paul Standard into clean Fender amp. Pedal Settings: Volume = 1:00, Tone = 2:00, Gain = 1:00, Switch = "Soft".
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| Chris Blackwell 1 - Gain Stage Red with the gain and tone maxxed and position II. Stock G&L strat (HSS) into the clean channel of a 4X10 Peavey Classic 50.
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| Chris Blackwell 2 (Neck Position) - Gain Stage Red with the gain and tone maxxed and position II. Stock G&L strat (HSS) into the clean channel of a 4X10 Peavey Classic 50.
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| Gain Stage Blue™ OverDrive
*These are just basic audio clips - nothing fancy, just a guitar, the Gain Stage Blue pedal into an amp. Some have a little reverb used in the mix. |
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| Joe Steiner: Political - Gibson Flying V, Bridge pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 3 o'clock, Tone 9 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 1 // SM57, no compression, no EQ, just a little verb.
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| Joe Steiner: Jazzy OD - Parts-o-strat, Neck pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 2 o'clock, Tone 10 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 0 // SM57, no compression, no EQ, just a little verb.
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| Joe Steiner: Beck Boots - Parts-o-strat, Neck pickup into Gain Stage Blue Settings: Volume 11 o'clock, Gain 2 o'clock, Tone 10 o'clock, Hard, II into Germino Masonette 1x12, Presense 2, Bass 2, Middle 4, Treble 2, V1 2, V2 0 // SM57, no compression, no EQ, just a little verb/delay.
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| Joe Steiner: Rhythm - Parts-o-strat, Middle pickup into Gain Stage Blue Settings: Volume 12 o'clock, Gain 12 o'clock, Tone 9 o'clock, Hard, I into Tweed Bandmaster 3x12, Presense 2, Bass 6, Treble 6, V1 2, V2 2 // SM57, no compression, no EQ, just a little verb. This clip demonstrates the how well the GS Blue can handle chord work and remain dynamic and articulate. alternative download |
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Video |
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| GS3™ Dual OverDrive | |
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GS3™ Dual OverDrive
Ede Wright - GS3 Introduction alternative download |
| Gain Stage Green™ OverDrive | |
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Gain Stage Green™ OverDrive
Ede Wright -Gain Stage Green alternative download |
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Gain Stage Green™ OverDrive
Gain Stage Green alternative download |
| Gain Stage Purple™ OverDrive | |
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Gain Stage Purple™ OverDrive
Gain Stage Purple featuring Barry Richman alternative download |
| Gain Stage Red™ OverDrive | |
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Gain Stage Red™ OverDrive - Chris Blackwell Part 1
GS Red Overview Part 1 (Large File) alternative download |
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Gain Stage Red™ OverDrive - Chris Blackwell Part 2
GS Red Overview Part 2 (Large File) alternative download |
| Gain Stage Blue™ OverDrive | |
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Gain Stage Blue™ OverDrive - Barry Richman
Full-on Overdrive Featuring renowned guitarist Barry Richman. In this clip Barry demonstrates how articulate and responsive the Gain Stage is. All the nuances of his tasty playing come through with the Gain Stage. We're honored to have our good friend Barry Richman helping us out. He's an amazing musician y'all need to check out. Please visit Barry at barryrichman.com. (Gear Used: Les Paul - Barry's Board - Gain Stage OD - Peavey Special 130) alternative download |
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Gain Stage Blue™ OverDrive - Dave Taylor
Dave Taylor Recorded in a 25' x 21' room with a high, cathedral ceiling. Had the amp reverb turned almost off - most of the reverb you hear is room verb. Guitar is an inexpensive, Japanese Les Paul knockoff. Fender Blues Deluxe open combo with a Celestion V30. Extension cab is a home-made, closed back with a Celestion G12H30. alternative download |
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Gain Stage Blue™ OverDrive - Ede Wright
Ede Wright alternative download |
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Gain Stage Blue™ OverDrive - Brad Jeter
Clean Amp - Violin Tone The first video sample. Featuring our very own Brad Jeter. This is a great example of the how good the Gain Stage sounds through a very clean amp. Using the Gain Stage Brad nails the elusive "violin" tone. (Gear Used: Strat - Gain Stage OD - Echoplex EP-3 - Digitech Digidelay - Fender Deluxe Reverb RI) alternative download |
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Gain Stage Blue™ OverDrive - Brad Jeter
Heavy Blues Lead Heavy Blues Lead. (Gear Used: SG - Gain Stage OD - Boss DD-3 - Marshall SuperLead set clean - 4x12 cabinet) alternative download |
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*The video clips were done using a $350 Panasonic camcorder using the camera's built-in microphone at a distance of 15 feet from the amp. The recorded audio was not manipulated in any way, shape or form. What you hear is what occurred in the room. Please Note: The Gain Stage was developed and refined in a stage/gigging environment - real amps being played as intended. The sounds you hear in our clips are very real and a direct result of the player's interaction with the pedal. |
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